Seasonal Eros in the Calendar of 1929 by Aragon, Peret, and Man Ray
In today’s article, we’ll examine an extremely rare surrealistic brochure 1929. It was made by two famous French poets and one photographer with the founder of surrealistic movement André Breton as an editor (remained unmentioned). The book of 28 pages was printed in the form of a calendar.
Fig. 1. The cover of the first edition (photo is taken from abebooks.com)
Clandestine
1929 was originally clandestinely published in Brussels in 1929 (with no indication of the publisher, date, or place of publication) in an edition of 215 and intended for private circulation. Most of the copies were seized by customs on the French border, making the original impossibly rare (photoeye.com). The book was reprinted in 1993 in Paris by Cosa Nostra Experimentale (129 exemplars). The cover was designed by M. Suzuki.
Fig. 2. The cover of the latest edition (photo is taken from royalbooklodge.com)
Parodying
The edition is divided into two parts or semesters. The first semester (first half of the year) filled with erotic poems by Peret, the second semester includes poems by Aragon. It must be mentioned that Peret’s poems are parodying famous catholic chants.
Nightclub Singer
The illustrations are four close-up photographs of sexual acts: The Spring, The Summer, The Autumn, The Winter. The participants are probably Man Ray himself and his occasional lover Kiki de Montparnasse (Alice Prin), who was a French artist’s model, literary muse, nightclub singer, actress, and painter.
Fig. 3. ‘Alice Prin‘ by Julien Mandel (wiki)
Let’s take a look at each season accompanied by the sacrilegious poems of Benjamin Peret.
Spring / Printemps
Fig. 4. ‘Spring‘ by Man Ray
This photograph is a close-up image of a sexual encounter viewed from behind. One can notice that the spring is associated with the deepest penetration in comparison with the summer or the winter.
By the way, this view often can be seen in shunga pictures.
Fig. 5. Left: Kuniyoshi Enseki zasshi, 1833 (kuniyoshiproject.com). Right: Tomioka Eisen, Yakumo no chigiri, 1896
Here is a rough translation of one of the ‘spring’ poems by Peret:
it’s a beautiful clitoris
it’s a huge cock
that excites the clitoris
and makes it come
love love love my cunt
love love love my cock
Bless oh red cock
this juice of your two balls
We want god it’s our cock
We want god it’s our cunt
[capt Fig. 6. Page from the book 1929 with text by Peret[/caption]
The origin of the last verse of this poem is the chorus of the French catholic song Nous Voulons Dieu (We Want God):
Blessed, O tender Mother,
This cry of our faith;
We want God, it’s our Father,
We want God, it’s our King.
Summer / Été
Fig. 7. ‘Summer‘ by Man Ray
This photo by Man Ray reminds of traditional shunga close-ups. The artist could be inspired by shunga masters as one may notice a great similarity between The Spring, The Summer, and the erotic works of ukiyo-e artists.
Fig. 8. Left: ‘Close-up with insert of ejaculating penis with cock ring inside vagina‘ (c.1830) attributed to Kunisada. Right: ‘Close-up with insert of ejaculating penis inside vagina‘ (c.1830) attributed to Kunisada.
In addition to this picture we introduce to you another one translation of the poem by Peret:
Ah! little girls who lift their dresses
to masturbate in the bushes
or in the museums
behind the plastered Apollos
while their mother compares the tail of the statue
with that of her husband
and sighs
Ah! if my husband looked like him
One day the mother will come back to the museum alone
but her daughter will run away on the other side with
her tail in hand
and the sorry mother
will steal a
crystal door handle
Fig. 9. Page from the book with the original text.
Autumn / Automne
Fig. 10. ‘Autumn‘ by Man Ray
In contrast with previous photos, this type of image rarely can be noticed in shunga because of the specific Japanese approach to the depiction of people and their genitalia (you can read about it here. In Man Ray’s case, photography allows him to make an impressive portrait of French love. It’s this image in that the woman is clearly identifiable: it is Kiki from Montparnasse . Her lips, with make-up to form the shape of Cupid’s bow, tightly grip a penis that, judging by the angle of the shot, is probably that of the photographer. Many books by surrealist artists are the product of a pornographic imagination, but never in such a scandalous and crude manner as in this publication. (Parr and Badger, he Photobook: A History Volume II, p. 138)
The third poem from this scandalous book is a parody on the hymn Je suis Chrétien (I am a Christian):
Here are my cock and my cum
This is the impetus of my heart
but show me your cunt
right by the window
Here it is, the sweet cunt
The real bread of the balls
whose hairs tickle us
even in the mouth
I’m a fucker this is my glory
my hope is in my hand
I am the great fucker of history
I unload on your dog
Fig. 11. Page with text by Peret
The chorus of the original song:
I am a Christian! This is my glory,
my hope, and my support,
my song of love and victory:
I am a Christian! I am a Christian.
Winter/ Hiver
Fig. 12. ‘Winter‘ by Man Ray
In this photograph we can see probably a standing man and a woman who is lying on her back with legs up high. Similar poses were frequently depicted by shunga artists.
Fig. 13. Left: Katsukawa Shuncho, ca. 1790 (Ronin Gallery). Right: Attrib. to Eizan 1787-1867 (Ronin Gallery).
In one of his poems Peret uses a traditional French Christmas carol Il est né, le divin Enfant (He is born, the divine Child) as an object for parody:
He buggers his sweetheart
Jerk off his balls and grasp his buttocks
He buggers his sweetheart
I enjoy on all sides
For more than four thousand years
my buttocks have been waiting
For more than four thousand years
I kept jerking off
He unloads me on the mouth
His cum fills my nostrils
He unloads me on the mouth
Ah I will eat his cock
Ah that he is long and wriggling
Ah that his balls are heavy
Ah that he is long and wriggling
and that red is his glans
Fig. 14. Page from the book with text by Peret.
The fragment of the original song:
He is born, the Heav’nly Child,
Oboes play; set bagpipes sounding.
He is born, the Heav’nly Child,
Let all sing His nativity.
‘Tis four thousand years and more,
Prophets have foretold His coming.
‘Tis four thousand years and more,
Have we waited this happy hour.
Ah, how lovely, Ah, how fair,
What perfection is His graces.
Ah, how lovely, Ah, how fair,
Child divine, so gentle there.
At Christies in 2014 a first edition of Man Ray’s notorious erotic book was hammered at GBP 7,500 (Estimated GBP 3,000-5,000).
Sources: http://www.royalbooklodge.com/en/publications/1929-2/;
https://www.abebooks.fr/edition-originale/1929-ARAGON-Louis-PERET-Benjamin-MAN/30496564072/bd;
https://www.photoeye.com/auctions/Auction.cfm?id=4017
Original texts by Peret: http://melusine-surrealisme.fr/site/Peret/Les%20rouillles.htm
Click HERE to check out an article on Auguste Rodin’s fascination for shunga…!!
What season of 1929 do you like the most? Let us know in the comments below.