Chinese Erotic Album Revealing 12 Intimate Secrets From the Third Class Brothel
12 mei 2021 
16 min. read

Chinese Erotic Album Revealing 12 Intimate Secrets From the Third Class Brothel

Complete Chinese erotic albums rarely come onto the market yet you can check out our new addition. This charming album consisting of twelve finely detailed paintings was produced in the late 19th century (c.1870s), and is from the reputable Ferdinand Bertholet collection. Each painting measures around 6″ x 5 3/4″ inches (15 x 14.5 cm).

chinese erotic album cover

Fig.1. Front cover of the album

Prostitutes vs Courtesans

All the scenes in the album involve encounters of prostitutes (not courtesans) with their clients and take place in brothels of the third class. Unlike prostitutes, courtesans belonged to the elite of the prostitute’s profession. They lived in high-class brothels (geguan) or tea houses and were cultured girls dressed in expensive silk garments and with servants at their side (Fig.2). A courtesan provided music, games, and high-quality conversation. She was able to refuse guests and only decided after a time-consuming journey of conquest (with many presents) whether or not she would accept a candidate as a lover.

Mandarin with his concubines and servants photograph

Fig.2. Photograph of ‘A mandarin with his concubines and a servant‘ (c.1865-1875) (Source: Concubines and Courtesans: Women in Chinese Erotic Art by Ferdinand Bertholet)

Powder Head

The jiuguan, the “wine house” belonged to the second category. These were public brothels which were a little less luxurious and where one could already spend the night on a first visit. The flower girls in the jiuguan were sometimes also referred to as fentou, ‘powder head’, because of their heavily made up faces. These kind of courtesans were more flamboyant in comparison to the courtesans of the first class and were educated from a young age in the art of entertainment. Their clientele consisted mainly of junior officials, scholars and merchants of the middle classes, yet richer clients were also content to seek out their specific talents.

Willows on the Roadside

Brothels of the third class (the ones depicted in the scenes below!) were populated by the more inexperienced women who could only offer their bodies. Women of these lower-class houses were called luliu, ‘willows on the roadside’, to imply their easy availability. Sometimes these brothels also served as an escape for concubines who had run away from the bad treatment they received at home.

Flower Boat huafang

Fig.3. ‘Flower boat and sampans (small wooden boats) on open water‘ (c.1870) (Source: Concubines and Courtesans: Women in Chinese Erotic Art by Ferdinand Bertholet)

Lowest Class

There was also a category of brothels beneath this one, that consisted of a few poor, hardly furnished little rooms, which were the working area of the needy, unattractive and elderly women. They provided quick and cheap sex for poor solders, farm workers, artisans and porters. The prostitutes were given their meals whilst they were working in order to save time.

Flower Boats

A class of their own were the so-called huafang or ‘Flower Boats’ (Fig.3). These were eighteen to twenty-five metres long and 4.5 to 5 metres wide floating brothels. The most expensive boats displayed great luxury and excess, and there was a wide choice of beautiful girls, who were known as tianshuilian, ‘heavenly water lelies’.

Chinese erotic album

Fig.4.

Fur Coat

A wealthy merchant wearing a fur coat offers a prostitute money to take him to her upstairs room. She is not a courtesan, because they are of a higher class and cannot be “bought” in such a gross way. A young male servant holding a kettle enviously observes them standing in the door post.

Chinese erotic painting female voyeur

Fig.5.

Female Voyeur

A luliu is reading a poem while her male listener is caressing her private parts. A curious female observer can be seen through the window in the background. Striking is the peculiarly shaped wooden writing desk with the marble top the girl is leaning on.

Chinese erotic painting Moon Gate

Fig.6.

Moon Gate

A flirting young couple seen through a moon gate on the top floor of a brothel. They’re passing their time looking through an erotic album. The latter is a recurring theme in Chinese erotica.

Chinese erotic painting pigtail

Fig.7.

Pigtail

A young man, his long pigtail draped over his back, having a private intimate moment with his lover lying on a cushion on the bed.

Chinese shunga

Fig.8.

Sleeping Woman

A young male client pulls up the blanket to indulge on the private parts of a sleeping prostitute.

Chinese erotica

Fig.9.

Nude

A nude luliu sitting on a rock in the garden is making love to a likewise nude lover. Her legs embracing his lower body.

Chinese erotic art painting

Fig.10.

Burning Candle

A female tries to put out the burning candle on the desk with a fan while her male client embraces her upper body.

from the rear Chinese erotic painting

Fig.11.

Squatting

Here, a young prostitute is squatting on the bed while her standing lover tries to penetrate her from the rear.

Pigtail erotic painting

Fig.12.

Sideways

A young couple making love sideways on the bed. A pair of shoes of the young male lover stand on the wooden step.

impatient Chinese girl and lover

Fig.13.

Insatiable

An insatiable girl wants another time but the young man can’t perform anymore as he’s satiated.

nude Chinese couple ancient

Fig.14.

On The Bed

A, with exception of their footwear, completely nude mature couple making love on the bed. The man’s pigtail is hanging over his shoulder while the older prostitute leans against a pillow and relaxes with the hands behind her neck.

Chinese sensual art

Fig.15.

Virgin

A young, hesitant virgin prostitute keeps her legs closed while her male client tries to convince her to do the opposite.

The album is now available for sale (SOLD). 

Click HERE for a complete set portraying the Shanghai decadence of the 1920s….!!

Source: Concubines and Courtesans: Women in Chinese Erotic Art by Ferdinand Bertholet

Do you prefer Chinese or Japanese erotic art? Leave your reaction in the comment box below…!!

About the author
Marijn is the founder of shungagallery.com. With more than 20 years of experience within the sensual and erotic art of shunga he is an authority in the genre. During this time he served many customers with complementing their art collection.
Geerd H.
By

Geerd H.

on 12 May 2021

how interesting. and the male members are more realistic and life size, circumcised too, quite rare I think. most interesting indeed, thank you. geerd

Marijn
By

Marijn

on 12 May 2021

Thanks Geerd. Yes, the Chinese are less in your face.

JB
By

JB

on 12 May 2021

A very interesting album indeed. Wouldn't mind adding it to my collection, with the here linked to 1920s Shanghai one, but as far as preference goes, Japanese Shunga still has my preference. Chinese Chunhua paintings are more "portrait like," so to speak, while Japanese Shunga have a boldness and aesthetic quality that the Chinese don't; the treatment of fabric motifs and drapery alone tips the scale if I'm to pick sides, not to mention the way body shapes are molded by the likes of Hokusai and other artists. Then, there's also the fact that other than illustrations for the Jin Ping Mei, for example, also woodblock printed, almost all (all?) Chun Hua albums are hand painted, while Shunga were almost exclusively woodblock printed, and that alone makes a huge difference. Chinese woodblock printing technique is fabulous, but I know of no Chun Hua woodblock prints ---- a tremendous loss. Anyone aware of any?

Marijn
By

Marijn

on 12 May 2021

Thanks JB. Chinese erotic woodblock prints, although printed in limited editions, were already produced in the late Ming period (in the early 1600s). A few are depicted in the book Concubines and Courtesanes. If interested, I can send you pics of them.

Kate macen
By

Kate macen

on 16 May 2021

Good Draws

Marijn
By

Marijn

on 16 May 2021

Thanks Kate!

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