hilo chen City #6
9 min

Bathing And Sunbathing Women In Photorealistic Paintings Of Hilo Chen

9 min

In many parts of Europe and America, the beach season has already started. Summer is in full swing, and that's the time to look at the works of American Taiwanese-born artist Hilo Chen (b. 1942). Even if you don't have the opportunity to relax on the seashore, watching his photorealistic women, you'll probably feel like being on the crowded beach with naked bodies close. There's no shame, no social distance anymore, only seductive body parts of sunbathing females and the sea in the background. 

 hilo chen Beach #148

Fig. 1. Beach #148 (conchigliadivenere.wordpress.com)

hilo chen Beach #147 

Fig. 2. Beach #147 

 hilo chen Beach #146

Fig. 3. Beach #146 

 hilo chen Beach #154

Fig. 4. Beach #154 

 hilo chen Beach #153

Fig. 5. Beach #153 

hilo chen Beach #62

Fig. 6. Beach #62 

hilo chen Beach #37

Fig. 7. Beach #37 

 hilo chen City #6

Fig. 8. City #6 

hilo chen Beach # 145

Fig. 9. Beach # 145 

 hilo chen Beach #173

Fig. 10. Beach #173 (gushiciku.cn)

From Architect To Photorealist

Chen didn't start as a professional painter. His way began with studying architectural engineering at Chung Yien College, from which he graduated in 1966. In 1968, after a brief stay in Paris, Chen relocated to New York City, where he lives and works nowadays. Probably, it was the development of the photorealism movement in the 1960s that became a driver of his artistic career. The first exhibition of Chen's works happened in 1974 at Louis K. Meisel Gallery. Since that time, Chen has been holding numerous expositions in museums across the world. His works are placed in the collections of the Solomon R. Guggenheim Museum in New York, the Taipei Fine Arts Museum, and the San Jose Museum of Art. 

 hilo chen Beach #110,

Fig. 11. Beach #110, 1986 (conchigliadivenere.wordpress.com)

 hilo chen Beach #114

Fig. 12. Beach #114 

 hilo chen Beach #94

Fig. 13. Beach #94 

 hilo chen Beach #120 

Fig. 14. Beach #120

 hilo chen Beach #170

Fig. 15. Beach #170 (artsy.net)

 hilo chen Beach #162

Fig. 16. Beach #162 

 hilo chen Beach #79 

Fig. 17. Beach #79 

Similarities And Dissimilarities

In his paintings, Chen depicts women in a voyeuristic manner catching a glimpse of female private parts. This approach is quite justified in the beach setting, where bikinis often slip off the body parts because of the sea waves. Unlike photorealist Terry Rodgers, Chen seems to be more adherent to minimalism in his paintings. He doesn't pay much attention to the setting, so it usually lacks specific details. While, along with a group of naked or semi-naked bodies, Rodgers depicts elegant objects of the interior, Chen takes a close-up of the one female body. We can see the texture of a woman's skin, which palpability is emphasized by water droplets covering the body. Some paintings resemble the works of pop artists. Chen's close-ups of female breasts and depictions of legs can remind you of the series by Hilo Chen's contemporary Tom Wesselman (Seascape #10, Bedroom Painting #11, Seascape (Tit), and others). 

 hilo chen Beach

Fig. 18. Beach (lembranzas-ines.blogspot.com)

 Tom Wesselman, The Seascape (Tit)

Fig. 19. Tom Wesselman, The Seascape (Tit); moma.org

hilo chen Hilo Chen, Bath

Fig. 20. Hilo Chen, Bath (conchigliadivenere.files.wordpress.com)

 Tom Wesselman Bedroom Painting #11

Fig. 21. Tom Wesselman Bedroom Painting #11 1969 (wordpress.com)

 hilo chen Bath

Fig. 22. Bath, 1992 (artsy.net)

 bath hilo chen

Fig. 23. Bath (americangallery20th.wordpress.com)

  Hilo Chen Beach, 1972

Fig. 24. Beach, 1972 (designwant.com)

 Tom Wesselman Seascape #10,

Fig. 25. Tom Wesselman Seascape #10, 1966 (tomwesselmannestate.org)

  hilo chen Title unknown

Fig. 26. Title unknown (americangallery20th.wordpress.com)

 hilo chen Beach #105

Fig. 27. Beach #105 (conchigliadivenere.wordpress.com)

 hilo chen Beach #61

Fig. 28. Beach #61 (artnet.com)

 hilo chen Beach #64

Fig. 29. Beach #64 (artnet.com)

 hilo chen Beach #63

Fig. 30. Beach #63 (artnet.com)

Philosophy of Photorealism

Louis Meisel, an art dealer who organized the first exhibition of Hilo Chen, mentions that the main artistic challenge defined by Aristotle as mimesis or the imitation of reality in photorealism shifts towards the imitation of photography. Whether the camera affects the artist's perception or it's the only way to capture the so-called objective reality - that's the question for every viewer to answer by themselves. The photorealist movement was a reaction to abstractionism and expressionism prevailing in fine arts since the invention of photography. Reproducing the photographic image on a canvas is regarded by the representatives of the movement as a possible way to reclaim the value of fine art imagery in times of overabundance of photography. The opposition of artists and photographers, to some extent, is captured in one of Hilo Chen's paintings depicting a nude lying on a bed with an image of Sleeping Venus (1510) by Giorgione in the background. In concordance with the photorealist technique, initially, the scene was photographed and only then transferred to the canvas. It's funny to think how Venus was depicted by Giorgione, then reproduced, then photographed by Hilo Chen, and, eventually, repainted, so photography remained only an interstitial medium between the artists of different centuries.

 hilo chen nude female

Fig. 31. 

 hilo chen ass

Fig. 32. 

hilo chen Beach #99 

Fig. 33. Beach #99 (conchigliadivenere.files.wordpress.com)

 hilo chen Beach #115

Fig. 34. Beach #115

 hilo chen Beach #135

Fig. 35. Beach #135 

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Click HERE for an article on the bedroom paintings of the American artist Tom Wesselmann

Sources: Wikipedia.org; conchigliadivenere.wordpress.com 

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