Cinematic Close-Ups Of Recently Passed French Artist Gérard Schlosser
07 september 2022 
18 min. read

Cinematic Close-Ups Of Recently Passed French Artist Gérard Schlosser

Gérard Schlosser, who died on August 10 at the age of 91, was one of the starters of the Narrative Figuration Movement. A similar Figurative Movement also emerged in the San Francisco Bay Area. Figurative artists opposed abstract art that dominated in the 1950s. The works of Schlosser have much in common with those of Tom Wesselman and Hilo Chen, which we examined here earlier. The leitmotif of his paintings is a close-up of a body part. Most frequently, Schlosser depicted the female breast as if occasionally exposed.

Gerard Schlosser French artist

Fig. 1. Schlosser (instagram.com)

Schlosser with his painting in 2013

Fig. 2. Schlosser with his painting in 2013 (connaissancedesarts.com)

 gerard schlosser He says people can’t laugh anymore

Fig. 3. He says people can’t laugh anymore 

Like Radishes Better

Schlosser was born in Lille, 1931. His first specialization was silverware, which he studied at the Ecole des arts appliqués, in Paris. He also studied sculpture by himself and briefly attended the Ecole des Beaux-Arts in Paris. Schlosser decided to devote himself to painting after watching a performance of Samuel Beckett's Waiting For Godot (the premiere directed by Roger Blin in 1953). Some of the titles of his paintings refer to this famous play, for instance, one of his works (we haven't found it, unfortunately) is entitled J'aime mieux les radis (I like radishes better). It's a reference to one of the scenes from Waiting For Godot when Vladimir eats a radish taken out of his pocket. “In 1953, I attended the premiere of En attendant Godot at the Théâtre Babylone. There was a Giacometti tree on stage. An actor takes a radish from his pocket. This is a close-up. Telling with close-ups… that's what produced it: I have to start painting" (hatchikiangallery.com)

schlosser Ils ne le diront pas, They won’t tell

Fig. 4. Ils ne le diront pas, They won’t tell

 schlosser Depuis longtemps, For a long time

Fig. 5. Depuis longtemps, For a long time (twitter.com)

schlosser painting breast

Fig. 6. danielamargherita.wordpress.com

 schlosser two girls

Fig. 7. danielamargherita.wordpress.com

Camera Eye

In the 1970s, Schlosser started working with photography and photomontage. Until 1973, he was a member of the Salon de la Jeune Peinture (Parisian association of artists). His adherence to figurative art and hyperrealism, as well as his focus on certain fragments of reality, allowed French poet and critic Alain Jouffroy to call Schlosser a camera-eye, the camera-eye of a painter-filmmaker (wikipedia.org). Yet many of his works with a female nipple as a center of the composition would look almost abstract if not for the cinematographic titles such as She still has no luck with her husband, or He had told me to wait at the cafe du port (another reference to Beckett). If the titles were abstract, the works would leave an impression of rather abstract art. Just like the play of Beckett, Schlosser's paintings are on the line between abstract and specific. Another feature that may be inspired by Beckett is the artist's inclination to repaint one object in different decorations to make us wonder if it's the same thing.

 gerard schlosser painting breast

Fig. 8. instagram.com

 schlosser This is funny

Fig. 9. This is funny (tumbex.com)

 Elle a signé, She signed schlosser

Fig. 10. Elle a signé, She signed (twitter.com)

 gerard schlosser C‘est sûr, That’s for sure

Fig. 11. C‘est sûr, That’s for sure (artcurial.com)

 schlosser Ils s'énervent, They get upset

Fig. 12. Ils s'énervent, They get upset (evg-crystal.ru)

gerard schlosser Pas Souvent, Not Often

Fig. 13. Pas Souvent, Not Often (lotsearch.de)

 schlosser Rock bottom

Fig. 14. Rock bottom (culturainquieta.com)

 gerard schlosser Tous les trois, All three

Fig. 15. Tous les trois, All three (art.mirtesen.ru)

 gerard schlosser Un certain temps, For a while

Fig. 16. Un certain temps, For a while (art.mirtesen.ru)

 schlosser À peu près, Approximately

Fig. 17. À peu près, Approximately (facebook.com)

schlosser Il ny sera pas, It won’t be

Fig. 18. Il ny sera pas, It won’t be (twitter.com)

schlosser She agreed

Fig. 19. She agreed (art.mirtesen.ru)

schlosser Et alors (So what)

Fig.20.  'Et alors (So what)' (2007)

schlosser schlosser Et alors (So what)

Fig.21.  'C'était Fermé (It was closed)' (1982)

In Premium you can find an extended version of this article with more info on Schlosser's voyeurism and three times as much images.

Click HERE for an article on the bathing and sunbathing women In the photorealistic paintings of Hilo Chen

Sources: Wikipedia.org; Muse Heidsieck. Mort de l’artiste Gérard Schlosser, pionnier de la Figuration narrative (connaissancedesarts.com);

About the author
Darya is a philologist who lives and works in Saint-Petersburg, Russia. She is specialized in Russian literature.
KSa
By

KSa

on 08 Sep 2022

Nice, but perhaps dull?

Marijn Kruijff
By

Marijn Kruijff

on 08 Sep 2022

Thanks KSa. Why dull?

Darya
By

Darya

on 08 Sep 2022

Repetitiveness is a pop-art feature (look at the works of Warhol, Wesselman, etc.). In the case of Schlosser, whose images follow both pop art and hyperrealism, this characteristic is emphasized by the influence of 'Waiting For Godot.'

JB
By

JB

on 18 Sep 2022

Nipple Variations? Not really. Very nice work. Wondering what the size of his paintings are. When possible would be interesting to include the dimensions of reproduced works.

Darya
By

Darya

on 19 Sep 2022

On auction platforms like artnet the dimensions aren't shown unfortunately.

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