The Faceless Ballet Dancer and the Averted Nudes of Joop Moesman
2 juli 2021 

The Faceless Ballet Dancer and the Averted Nudes of Joop Moesman

The painting October (Fig.1) from 1965 by Joop Moesman (1909-1988) is almost a repetition from Little Angel (Fig.2) from 1932. In the foreground Moesman painted instead of a painting hand, a faceless ballet dancer, taken from a photograph of the performance of the ballet in Shakespeare’s drama ‘Pericles‘, an image he chanced upon in The Illustrated London News (Fig.1c).

Joop Moesman October

Fig.1. ‘October‘ (1965)

Averted Face

The naked female body with the averted face, a motif that goes back to the drawings from the twenties and thirties, remained current in some of his paintings in the 1970s, like In Afwachting (Pending – Fig.3) and Noodingang (Emergancy Entrance – Fig.4). There are three female figures on both paintings, seen from the back, with accessories such as shoes, jewelry, textiles and the like.

Joop Moesman faceless dancer

Fig.1a. Detail ‘Faceless dancer

Female Pelvis

Moesman first drew the door, which is regarded as an object, with charcoal. On the top panel, a blond, brown, and black-haired woman are painted with averted faces in a room with geometric figures (Fig.4a). He originally planned to paint a female pelvis (that he had received from the cutting room of an anatomical laboratory) seen from below on the bottom panel. During the usual long period of creation, however, he changed his plan and painted standing under the pelvis, a revolver with smoking barrels in front of it and a tuft of pubic hair on the butt (Fig.4b).

joop moesman angel statue

Fig.1b. Detail of ‘Little Angel

Erotic Fetish

The magic of weapons as an erotic fetish was not unknown to him. The mixture of sexuality and aggression is typical of Moesman’s work. It is part of his personality as it turned out in the 1940s, when he threatened his wife with a revolver in order to impress her. In the 1980s he used to exorcise his impotent anger in a similar ritual way in the presence of others.

magazine photo ballet dancer The Illustrated London News

Fig.1c. Magazine photo from The Illustrated London News (01-07-1937)

Joop Moesman Engeltje Little Angel

Fig.2. ‘Engeltje (Little Angel)‘ (1952)

statue little angel surrealism

Fig.2a. Detail ‘Little Angel

Joop Moesman surrealist

Fig.2b. Detail ‘Blue hand

study of damaged statue little angel

Fig.2c. Study of damaged plaster angel. Pencil on paper.

Photograph of Park Nieuweroord

Fig.2d. Photograph of Park Nieuweroord, Utrecht

blood stain surrealism

Fig.2e. Detail of the bloodstain in Little Angel

jopie moseman surrealist

Fig.3. ‘In Afwachting (Pending)‘ (1971)

Joop Moesman IN Afwachting

Fig.3b. Detail ‘Pending

J H Moesman emergency entrance

Fig.4. ‘Noodingang (Emergency Entrance)‘ (1972)

joop moesman nude females

Fig.4a.

Joop Moesman revolver pubic hair

Fig.4b.

Nude in Boots

Vooruitzicht (Look-Out)‘ (1973 – Fig.5) started with a photo of a lying female nude seen from the back (Fig.5a). In a composition sketch she is placed with her head slightly turned away on an overhanging rock in a wide landscape (Fig.5b). An echo of the figure can be found everywhere in the landscape: in the mountains and the clouds, and also the skeleton below on the bank of the canal is in the same position as the nude in boots (Fig.5d.).

Moesman surrealism

Fig.5. ‘Vooruitzicht (Look-Out)‘ (1973)

Atmospheric Suspense

Look-Out‘ shows the real shadow of the painter’s physical profile, which falls on the canvas due to an imaginary light from outside. The shadows of invisible persons give Moesman’s work an atmospheric suspense. The effect in ‘Look-Out‘ is further enhanced by the fact that the chain to which the model is tied leads to this shadow.

Own Shadow

During this time, Moesman noted in an interview that he was still fascinated by the fact that every thing drags along its own shadow: ‘I am obsessed with that, you can’t get rid of that shadow.’

joop moesman nude picture

Fig.5a. ‘Nude picture‘ (Private Collection)

Joop Moesman Sketch

Fig.5b. ‘Sketch for ‘Look-Out

sketch for the skeleton Joop Moesman

Fig.5c. ‘Sketch for the skeleton‘ (Private collection)

Click HERE for our earlier article on the sadomasochism in another painting by Moesman….!!

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About the author
Marijn is the founder of shungagallery.com. With more than 20 years of experience within the sensual and erotic art of shunga he is an authority in the genre. During this time he served many customers with complementing their art collection.
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