The art of Toshio Saeki can best be described as surreal porn (Freud’s Dream Analysis meets violent samurai). His immoral bloody and humorous world is inhabited by unfortunate tied down females, violent ninjas and samurai warriors performing vicious amputations, vagina-picking crows and roosters, the inevitable octopuses, mutilated mermaids, sadistic zombies, and other morbid creatures.
His prints are a contemporary version of the classical Japanese woodblock printing technique, using strong vivid colors and strong lines. Saeki (1945, Miyazaki) is not drawn to portray idyllic-looking scenery. In an interview in 2013 with Dazed he explained “…I try instead to capture the vivid flowers that sometimes grow within a shameless, immoral and horrifying dream.”
Distort the Understanding
About the reluctance to talk about his art he commented “…I only explain myself through my drawings, I can’t put into words what the images mean. It would not be difficult for me to come up with various arguments concerning the images, but that will distort the understanding of the works for sure”.
As an adolescent Saeki was a fervent fan of cheap samurai and Yakuza (Japanese crime syndicate) movies that included a lot of violence and gore but were intended to make the viewer laugh. These kind of features are evident in Saeki’s art.
Striking is that Saeki doesn’t use models or source imagery. His imagery is drawn from the subconscious inspired on visions, dreams, and memories that have remained in his mind. Although he primarily uses his fantasy and recollection there are also components of Japanese culture present in his art, from interior design and textile patterns, to mythical characters, ancient shunga, and allusions to well-known stories.
Like in the ancient shunga prints, Saeki’s images sometimes includes a secret voyeur. In shunga these peeking figures are part of the whole scene while in Saeki’s world they are added as a surreal component to create a dynamic of the psychic device that exposes the numerous sides of the human life.
Saeki’s exhibitions are popular and his audience is ever increasing. He is now in his seventies and still working, enjoys the interest of is ever increasing following and the impact his work has on young artists. Saeki designed the cover of one of John Lennon and Yoko Ono’s albums (Sometime in New York City, 1972), and both Yoko Ono and their son Sean Lennon are fans and friends of him. So I suspect that this fact did not stand in the way of his fame!
Below you can find some striking Toshio Saeki art…
Click HERE for more subversive modern shunga…!!!
Who is your favorite “shunga” artist?