Giovanni Boldini (1842-1931) was an Italian portrait painter, not acknowledged by academic or avant-garde critics but extremely popular among the aristocracy. In his best years, the price of a large portrait ranged from 30,000 to 50,000 francs. His etudes of nude beauties blossoming in chaotic brushstrokes bring to mind the Swan Princess as she mesmerizingly transforms into a maiden under the moonlight.
Fig. 1. Marchesa Luisa Casati, with a greyhound, 1908 (Wikipedia.org)
Fig. 2. Fireworks, 1890 (Wikipedia.org)
Fig. 3. Portrait of the Marquise Casati, 1914 (Wikipedia.org)
Young Master Of Portrait Painting
Boldini was born in Ferrara to a family of religious painter and restorer Antonio Boldini. His pious mother gave birth to many children, and Giovanni was her eighth kid. The family had twelve kids in total. Among the brothers and sisters of the artist, there also was future architect Luigi Boldini. Being raised in an artistic environment, Giovanni started drawing earlier than talking. At five, he created a kind of workshop in the family barn. In 1850, he enrolled in the local primary school, though the studies were left very soon, as this determined and independent child wanted to devote himself to painting under the guidance of his father. Besides fine arts, Boldini was a passionate music lover and learned the harpsichord. As his father was a follower of the Renaissance masters, the young artist copied Raphaël yet started painting portraits and receiving commissions at fourteen.
Fig. 4. Seated nude (wikiart.org)
Fig. 5. Seated nude (catherinelarosepoesiaearte.com)
Fig. 6. Standing nude (catherinelarosepoesiaearte.com)
Fig. 7. Standing nude (wikiart.org)
Fig. 8. Pearl nude (artnet.com)
Fig. 9. Nude in front of the mirror (artnet.com)
Fig. 10. Nude from behind (twitter.com)
Michelangiolo Instead Of Michelangelo
In 1864, exempted from military service due to his short height, Boldini moved to Florence after he had received a sum from his paternal uncle. Boldini's goal was to complete his studies, for which he entered the Academy of Fine Arts. It was the second time when the artist abandoned classes after several brief visits. Instead, Boldini became a frequenter of the Caffè Michelangiolo, a meeting place of Florentine artists, the Macchiaioli group, in particular. These painters were theoretically similar to pointillists, as they regarded painting reproduction of the perceptual dynamics of the human eye, which sees the modulations of shadows and colors. Thus, the picture must be based on the gradations presented as spots. Boldini inclined toward a portrait genre but blended the figurative approach with Macchiaioli's visual dynamism, representing the background objects with thick brushstrokes.
Fig. 11. Young dark lady (wikiart.org)
Fig. 12. Young lady entering bath (wikiart.org)
In the extended Premium version of Boldini's story you can discover how the artist used his connections and continued to be successful, why he had lo leave France, what Time wrote about him after he passed away, and many other of his enticing paintings and rare sketches.
Click HERE for the ideal nudes of William Bouguereau, the photoshopper of the 19th century
Sources: fr.wikipedia.org; catherinelarosepoesiaearte.com; wikiart.org; artnet.com, twitter.com
