Erotic Illustrations of Classic Literature by the Russian Painter Genia Minache
8 min

Erotic Illustrations of Classic Literature by the Russian Painter Genia Minache

8 min

These chiseled watercolors reminding a viewer partly of Gustav Klimt’s paintings, partly of shunga patterns, catch one’s attention by coloring, posing, and facial expressions of nude females. Genia Minache (1907-1972), the person behind the illustrations, was a French artist and a founder of the association of female artists of France. She illustrated the books of Diderot and Omar Khayyam, Kama Sutra and The Songs of Bilitis. Her works are present in state museums of France and private collections.

Genia Minache

Fig. 1. Genia Minache (

From Saint-Petersburg to Paris

Genia Minache (Evgeniya Semyonovna Khadzhi-Minache) was born in Saint-Petersburg in a family of descendants of the Crimean Karaites community. Her father was a well-to-do architect Sima Minache. Growing among people engaged in fine arts, Genia Minache didn’t become an exception. Due to the civil war in Russia (1917-1922), the family had to immigrate to Turkey. Then in the 1920s, they settled in Paris, where Minache enrolled in the National School of Decorative Arts and manifested herself as a painter and sculptor.

Genia Minache The Nude

Fig. 2. The Nude

Genia Minache nude

Fig. 3. Nude

Genia Minache Seated Nude in Profile

Fig. 4. Seated Nude in Profile

Genia Minache Reclining nude with boats

Fig. 5. Reclining nude with boats

Genia Minache Reclining nude

Fig. 6. Reclining nude 

Genia Minache erotic

Fig. 7. Standing nude

Genia Minache seated nude

Fig. 8. Seated nude

Genia Minache Voluptuous 

Fig. 9. Voluptuous 

Genia Minache Adam and Eve

Fig. 10. The couple (Adam and Eve)

Further Career and Public Success

During her studies and after graduation, Minache sent her works to various exhibitions. In 1931, she took part in the show of the Russian artists who studied abroad. There she won the first prize for her sculpture The Black Thinker. Three years later, together with her female colleagues Avksent’eva and Ryabushinskaya, Minache organized an exhibition at the Bernheim-Jeune Gallery. Several works exposed there were obtained by the Jeu de Paume museum. The exposition of the group Femmes artistes modernes, which happened in 1935, was for Minache the next one to participate in. Having married a resident of Czechoslovakia in 1932, whom she would divorce fourteen years later, Minache started exposing her paintings in Prague. The war caught her in France. From 1942 to 1945, she moved from place to place, organizing solo exhibitions. Curiously, sometimes the visitors stole her works in case if they couldn’t buy them. French nobles often invited her to paint portraits of their young daughters. In 1958, the artist was awarded the Grand Prize at the Vichy exposition. As her recognition grew, she attained the Grand Prize of Paris and the gold medal five years later. She also was the one to be honored with the Officier des Palmes Academiques award for her art merits in 1963.

Genia Minache the couple

Fig. 11. The couple

Genia Minache Kama Sutra

Fig. 12. Kama Sutra illustration

Genia Minache Kama Sutra illustration

Fig. 13. Kama Sutra illustration

Kama Sutra Genia Minache

Fig. 14. Kama Sutra illustration

Genia Minache the lovers

Fig. 15. The Lovers 

Genia Minache L’offrande de la rose

Fig. 16. L’offrande de la rose

the couple Genia Minache

Fig. 17. The couple

Works and Styles

Minache produced still-life paintings and was engaged in illustrating the most well-known erotic oeuvres. In 1950, she painted images for the book Songs of Bilitis, “must-illustrate” for European artists (let’s remember Barbier and Lambert, the heroes of our previous articles). By the end of the 1950s, Minache illustrated the exclusive edition of Kama Sutra. In 1957, she accomplished a set of images for Omar Khayyam’s Rubaiyat, for which she used sketches made during her stay in Turkey. She also illustrated the libertine Diderot’s novel Les Bijoux indiscrets / The Indiscreet Jewels (1748) telling about Mangogul, Sultan of Congo, whose special ring makes women’s vaginas* or “jewels” talk about their amorous adventures. Mangogul uses the ring to examine his mistress Mirzoza, whom he suspects of infidelity. The major feature of Minache’s paintings is the contouring of depicted figures, which makes them look more dimensional and decorative. Minache regarded herself as the follower of Saint-Petersburg’s modernism, the local manifestation of the Art Nouveau movement. Nevertheless, her works as well wear the touch of oriental art with its’ smoothness of lines and meditative atmosphere.

Genia Minache Rubaiyat

Fig. 18. Illustration to Rubaiyat (

Illustration to Rubaiyat Genia Minache

Fig. 19. Illustration to Rubaiyat

Genia Minache erotic illustration

Fig. 20.

Genia Minache oriental

Fig. 21.

Genia Minache indian

Fig. 22. Illustration to Rubaiyat

Genia Minache Indian Moghul

Fig. 23. Illustration to Rubaiyat

Genia Minache Bathers

Fig. 24. Bathers

Genia Minache Les Bijoux indiscrets

Fig. 25. Illustration to Les Bijoux indiscrets

Les Bijoux indiscrets Genia Minache

Fig. 26. Illustration to Les Bijoux indiscrets

Genia Minache erotic art

Fig. 27. Illustration to Les Bijoux indiscrets (

Moghul Genia Minache

Fig. 28.

Genia Minache Indian erotica

Fig. 29. Illustration to Les Bijoux indiscrets

Genia Minache bijou

Fig. 30. Illustration to Les Bijoux indiscrets

Genia Minache orgy

Fig. 31. Illustration to Les Bijoux indiscrets (

*Bijou, which means “jewel”, was used as slang for the vagina in 18th-century France (


Click HERE for the illustrated Kama Sutra of Georges Pichard….!!

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