The young boy depicted here is a so called temple page (‘chigo‘ or ‘terakosho‘ ), they were available to monks, who were regarded without censure as among the most avid adherents to the so called ‘Way of the Youth‘. As often with male-male depictions in Japanese shunga, one of the depicted persons – taking the active role – is an older man (‘nenjo‘ ).
The receptive partner (‘wakashu‘ ) was invariably a pre-pubescent or pubescent boy or a young man who has not yet shaved off his forelock, a sign in Japanese society that he had not yet come of age. Male-male relationships, within the samurai class and in monasteries between monks and their young acolytes, were a common phenomenon in Tokugawa Japan, as was prostitution among young kabuki actors of female roles.
The size of this rare print is quite uncommon; a half-size horizontal oban design would have been carved on one half of a woodblock, with another design carved from the other. This design is most likely from a set of twelve prints issued late in Utamaro’s life. Striking is the inro* on the floor behind the young man’s head. The young male holds on to a geisha pillow while he undergoes the sensual “violence” of his older partner.
*The inro is a traditional Japanese case for holding small objects, suspended from the obi (sash) worn around the waist.